Lamb |Top of criticism, reviews and qualifications

The folkloric terror had rarely been as provocative, atmospheric and melancholic as in lamb - 87%, the raw opera of the Icelandic filmmaker Valdimar Jóhannsson distributed by A24, the producing house that brought us contemporary jewels of the genre like the witch - 91%, theLighthouse - 96% and midsommar: terror does not expect the night - 98%.

You might be interested: review |Lamb: Maternity with another perspective

Lamb - 87% follow Maria and Ingvar's life, a couple without children who live with their flock in a farm in Iceland.Mattered after the mysterious birth of an anthropomorphic baby of one of his sheep, they decide to raise him as if he were his son.This new element brings a lot of happiness to the couple, but they will soon face the terrible consequences of challenging the will of nature and an unexpected family visit that will put their world of head forever.In the leading flat we can find Noomi Rapace, Hilmir Snær Guðnason and Björn Hlynur Haraldsson.

This dark story takes considerable time around among the most prestigious film festivals and has had an optimistic reception from critics and spectators.We will immediately tell you in detail about the things you have to offer the set, what things work and which are not.

Criticism qualifies Lamb - 87% as a “supernatural knockout” who mixes drama, terror and mesurad comedy to create a disturbing atmosphere from its prologue to its epilogue. He also recognizes his ability to develop a deeply emotional story occupying few dialogues, the key points of the plot are revealed through visual winks or facial expressions that demand the viewer's attention and then reward it with a psychological experience that breaks you from within To his characters. The script is cryptic, revolves around complex issues such as motherhood, loss, loneliness and infidelity with great discretion, that is why the feature film lends itself to extract different readings from it. Jóhannsson's merits are given to create a valuable contribution to the genre executed with a very particular aesthetic and stylistic design, which has a potential to become a reference of folkloric terror. Despite all these successes, the media ensure that the film is steal from actress Noomi Rapace in this role that completely takes it out of her comfort zone, here she is no longer an action hero, walking on fire, she is a woman with Emotions to the skin of leather, capable of reflecting the pain of his gaze in ours, disturb us when he is required and stealing our empathy while still convincing a single second.

As expected from such a risky proposal, the detractors of this drama suggest that the Icelandic director takes an interesting concept and makes it completely predictable, with few interesting things in the intermediate and a notorious emotional isolation of their characters.The end also divided opinions, while some found a cathartic outcome full of visual force, others were disappointed by an abrupt closure that does not conclude the dramatic arches optimally.The special effects used in Ada, the anthropomorphic lamb, did not leave the international press fully satisfied, ensuring that at times their movements or expressions look too artificial and break the immersion in the story.

Finally, Lamb - 87% is an unusual letter of Valdimar Jóhannsson that carries the concepts of folk terror to the next level with this story full of layers and meanings.This sinister fable does not scarce in style, talent and ingenuity, it is horror purely.More than a movie, it is an experience that will leave you breathless.

Next, we present a compilation of criticism and review of Lamb - 87%:

Lee also: Robert Eggers' witch, what did criticism say in its premiere?

René Sánchez of Cinema Without Borders:

Identity Theft is real!The #irs you created an identity theft central site-a resource on how to report identity t ... https://t.co/dlxqpkbujf

— FBI Knoxville Sat Mar 07 22:00:32 +0000 2020

Jason Pirodsky from The Prague Reporter:

Siddhant Adlakha by IG:

Daniel Farriol de no cinema is everything that shines:

David Rooney by The Hollywood Reporter:

Robert Abele from The Wrap:

MISHEL LUNA DE TOMATAZOS:

Elena Lazic by The Playlist:

Richard Brody from The New Yorker:

Emiliano Basile of writing cinema:

Do not leave without reading: the lighthouse |Top of criticism, reviews and qualifications